In the murky waters of the Mediterranean lie the ruins of Alexandria’s fabled lighthouse, a wonder of the ancient world destroyed by earthquakes in the Middle Ages. While mapped by archeologists, most of these 2,000 stone remnants will never be retrieved and reconstructed: the Pharos Lighthouse can only be inferred. But above the surface, the lighthouse is ubiquitous in the modern city, its image wholly imagined, with little resemblance to the stones at the bottom of the sea.
In a richly braided, intimately told narrative of text and image, New York–born.
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